{"id":450,"date":"2026-03-05T16:33:25","date_gmt":"2026-03-05T16:33:25","guid":{"rendered":"https:\/\/www.annavanneau.com\/work\/autre\/a-lombre-dun-vaste-detail-hors-tempete-en\/"},"modified":"2026-03-12T21:13:02","modified_gmt":"2026-03-12T21:13:02","slug":"a-lombre-dun-vaste-detail-hors-tempete","status":"publish","type":"anne_project","link":"https:\/\/www.annavanneau.com\/en\/work\/artiste-choregraphique\/a-lombre-dun-vaste-detail-hors-tempete\/","title":{"rendered":"\u00e0 l&#8217;ombre d&#8217;un vaste d\u00e9tail, hors temp\u00eate"},"content":{"rendered":"<h3>In the shadow of gestures and things that happen without our noticing, attention suddenly unfolds. What if the most intimate of everyday activities were the space, if not the place, that links us to the invisible?<\/h3>\n<p>To begin with, we need to imagine a very simple, very ordinary image. Almost an everyday scene. Perhaps someone cleaning a surface. A person, however, entirely required by what he&#8217;s doing. Her movements are extremely suspended, concentrated, diligent. Like a choreographic proposition in which the action is accomplished for its own sake. In the wake of his previous creations, Christian Rizzo opens the stage to the powers of abstraction, without removing it from the spectrum(s) of theater. But here, it&#8217;s in the beat and interstice of these two dimensions that the reality of dance can appear. Thanks to a system of veiling and unveiling, constant editing and reframing, the space acquires its own mobility, becoming a character in its own right. Parallel to a highly organic dance, situations appear and disappear according to the trajectories of three curtains. A group of dancers forms, splits and recomposes itself under the gaze of a labile structure. In this way, repetition escapes multiplication: in the filigree of absences and gaps, a space conducive to appeasement takes shape. A detail, a joy, a search for solitude and serenity.<\/p>\n<p><b>Credits<br \/>\n<\/b>Choreography, set design, costumes: <span style=\"font-weight: 400;\">Christian Rizzo<br \/>\n<\/span>Performers<span style=\"font-weight: 400;\">:<\/span><span style=\"font-weight: 400;\"> Enzo Blond, Fanny Didelot, Hans Peter Diop Ibaghino, Nathan Freyermuth, Paul Girard, Hanna Hedman, Anna Vanneau<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Lighting design:<span style=\"font-weight: 400;\"> Caty Olive<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Musical creation: <span style=\"font-weight: 400;\">P\u00e9n\u00e9lope Michel<\/span><span style=\"font-weight: 400;\"> and<\/span><span style=\"font-weight: 400;\"> Nicolas Devos<\/span><span style=\"font-weight: 400;\"> (Cercueil \/ Puce Moment)<br \/>\n<\/span>Text : <span style=\"font-weight: 400;\">C\u00e9lia Houdart<\/span>Stage<br \/>\nManager: <span style=\"font-weight: 400;\">J\u00e9r\u00f4me Masson \/ Victor Fernandes<br \/>\n<\/span>Sound Manager<span style=\"font-weight: 400;\">: Delphine Foussat<br \/>\n<\/span>Lighting Manager:<span style=\"font-weight: 400;\"> Cl\u00e9ment Huard \/ Romain Portolan<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Administration, production:<span style=\"font-weight: 400;\"> Les Ind\u00e9pendances, H\u00e9l\u00e8ne Moulin-Rouxel et Colin Pitrat<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Acknowledgements: <span style=\"font-weight: 400;\"> ICI-CCN, Anne Bautz and Anne Fontanesi<\/p>\n<p><\/span><strong>Production<br \/>\n<\/strong><span style=\"font-weight: 400;\">Producer: l&#8217;association fragile<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>With the support of <span style=\"font-weight: 400;\">Dance Reflections by Van Cleef &amp; Arpels<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Coproduction: <span style=\"font-weight: 400;\">ICI-Centre Chor\u00e9graphique National Montpellier Occitanie, Bonlieu, Sc\u00e8ne nationale Annecy, Centre National de la Danse (CN D), La Biennale de Lyo, Tandem Sc\u00e8ne Nationale Douai-Arras, Th\u00e9\u00e2tre de N\u00eemes &#8211; Sc\u00e8ne Conventionn\u00e9e d&#8217;Int\u00e9r\u00eat National Art et Cr\u00e9ation Danse Contemporaine, CCN &#8211; Ballet de l&#8217;Op\u00e9ra national du Rhin as part of the Accueil Studio 2025 program, Th\u00e9\u00e2tredelaCit\u00e9 &#8211; CDN Toulouse Occitanie<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Espaces Pluriels &#8211; sc\u00e8ne conventionn\u00e9e d&#8217;int\u00e9r\u00eat national Art et cr\u00e9ation &#8211; danse \u00e0 Pau, Th\u00e9\u00e2tre Auditorium de Poitiers (TAP), Festival d&#8217;Automne \u00e0 Paris, MC93 &#8211; Maison de la Culture de Seine-Saint-Denis, Bobigny, La Place de la Danse &#8211; CDCN Toulouse Occitanie<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Home in residence : <span style=\"font-weight: 400;\"> Cndc &#8211; Angers<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span> l&#8217;<span style=\"font-weight: 400;\">association fragile is supported by the Direction g\u00e9n\u00e9rale de la cr\u00e9ation artistique, Minist\u00e8re de la Culture.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Christian Rizzo is associate artist at CN D in 2025 and 2026.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the shadow of gestures and things that happen without our noticing, attention suddenly unfolds. What if the most intimate of everyday activities were the space, if not the place, that links us to the invisible? To begin with, we need to imagine a very simple, very ordinary image. Almost an everyday scene. Perhaps someone [&hellip;]<\/p>\n","protected":false},"featured_media":530,"menu_order":0,"template":"","anne_project_cat":[3],"class_list":["post-450","anne_project","type-anne_project","status-publish","has-post-thumbnail","hentry","anne_project_cat-artiste-choregraphique","en-US"],"_links":{"self":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project\/450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project"}],"about":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/types\/anne_project"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/media\/530"}],"wp:attachment":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/media?parent=450"}],"wp:term":[{"taxonomy":"anne_project_cat","embeddable":true,"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project_cat?post=450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}