{"id":456,"date":"2026-03-05T16:46:19","date_gmt":"2026-03-05T16:46:19","guid":{"rendered":"https:\/\/www.annavanneau.com\/work\/autre\/bleu-en\/"},"modified":"2026-03-12T21:22:03","modified_gmt":"2026-03-12T21:22:03","slug":"bleu","status":"publish","type":"anne_project","link":"https:\/\/www.annavanneau.com\/en\/work\/artiste-choregraphique\/bleu\/","title":{"rendered":"Bleu"},"content":{"rendered":"<h3><span style=\"font-weight: 400;\">(<\/span><i><span style=\"font-weight: 400;\">adjective born somewhere between the stars and barbarism) <\/span><\/i><\/h3>\n<p><span style=\"font-weight: 400;\">It all begins with a color that remained silent for a long time: Blue.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">There was no value or symbol associated with it. It only entered the social arena in the 12th century.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Within a rectangular space, itself surrounded by an unfathomable black, <em>Bleu<\/em> presents a variation in which the female body moves within the folds of this color as the foundation of its emergence.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">In this cramped, tri-frontal space, offering a close-up reading, Magali Milian and Anna Vanneau subject their presence to the transformation of the gaze cast on the covered, adorned, harnessed, decorated and undressed body.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Through this monolith-like device, whose presence remains to be elucidated, they open up the furrow of an imaginary world that covets fiction, and where ancient figures and their digressions rub shoulders: reminiscence of a form cluttered with history and pomp, warlike impressions, constrained bodies or those stripped of their overalls, the light silhouettes of bathers<\/span><span style=\"font-weight: 400;\">&#8230;<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Movement, as a condition of appearance, expands and asserts its fulgurance, its massiveness. With it, the perception of the space around them expands and changes nature.<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">First there is nothing, then there is a deep nothing, then there is a blue depth.<br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Gaston Bachelard<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Considering blue as the completed form of White, the final stage before Black, suspended time that contemplates the ephemeral until dissolution<\/span><span style=\"font-weight: 400;\">. Every speck of blue, even the tiniest, carries with it its share of eternity.<\/span><br \/>\n<span style=\"font-weight: 400;\">The contemplation of blue awakens the lines of force of the body born of emptiness, whose presence manifests itself as a perpetual actualization of being, oscillating between the massive appearance of flesh and the vaporous existence of the figures it embodies<\/span><span style=\"font-weight: 400;\">. Blue functions as a resonance chamber&#8230;<\/span><span style=\"font-weight: 400;\">The chosen device lends form to the auratic dimension that envelops the bodies. Its monolithic form is forgotten behind its transparency, and<\/span><span style=\"font-weight: 400;\">it can appear anywhere, just as a puddle nests in the hollow of a crack left in stone, earth or asphalt, and, like Blue, deploys fleeting evocations to question the gaze without ever satisfying it.<\/span><br \/>\n<span style=\"font-weight: 400;\">Blue, as a vibratory moment, opens the door to the irreconcilable tension between the thickness of matter and the nebulousness of form, decrystallizing the images that might otherwise have been fixed on our retinas, in favor of the enigmatic moment of gushing alone. For beneath the depths of the blue magma lie all the possibilities of a dream body.<\/span><\/p>\n<p style=\"text-align: left;\">\n<p style=\"text-align: left;\"><strong>Credits<br \/>\n<\/strong>Choreography:<span style=\"font-weight: 400;\"> Magali Milian, Romuald Luydlin<br \/>\n<\/span>With :<span style=\"font-weight: 400;\"> Magali Milian, Anna Vanneau<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Music: <span style=\"font-weight: 400;\">Marc Sens<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Sound design and direction:<span style=\"font-weight: 400;\"> Val\u00e9rie Leroux<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Lighting design and direction:<span style=\"font-weight: 400;\"> Denis Rateau<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Costume design: <span style=\"font-weight: 400;\">Lucie Patarozzi<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Dramaturgical collaboration: <span style=\"font-weight: 400;\">Marie Reverdy<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Set design: <span style=\"font-weight: 400;\">Magali Milian, Romuald Luydlin, Denis Rateau<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Construction structure:<span style=\"font-weight: 400;\"> Atelier du Th\u00e9\u00e2tre de N\u00eemes<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><strong><br \/>\nProduction<br \/>\n<\/strong>Producer<\/span>: <span style=\"font-weight: 400;\">La Zampa<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Coproduction:<span style=\"font-weight: 400;\"> CDC Uz\u00e8s Danse, Collectif En Jeux, Sc\u00e8nes Crois\u00e9es &#8211; Sc\u00e8ne conventionn\u00e9e de Loz\u00e8re, Th\u00e9\u00e2tre de N\u00eemes Sc\u00e8ne conventionn\u00e9e pour la Danse contemporaine, Le P\u00e9riscope N\u00eemes, Les Sept Collines Sc\u00e8ne conventionn\u00e9e de Tulle, ICI &#8211; Centre chor\u00e9graphique national Montpellier &#8211; Occitanie \/ Pyr\u00e9n\u00e9es-M\u00e9diterran\u00e9e \/ Direction Christian Rizzo &#8211; as part of the &#8220;r\u00e9sidence crois\u00e9e&#8221; program.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Hosted by <span style=\"font-weight: 400;\">Th\u00e9\u00e2tre L&#8217;Albar\u00e8de Ganges, Th\u00e9\u00e2tre du Centre Fran\u00e7ais de Berlin, Le P\u00e9riscope N\u00eemes, Les Sept Collines Sc\u00e8ne conventionn\u00e9e de Tulle, Montpellier Danse, L&#8217;Atelier des Songes Mende.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">This show is supported by R\u00e9seau en Sc\u00e8ne Languedoc-Roussillon as part of its support for the Collectif En Jeux. Thanks to Atelier Tuffery, jeans made in France since 1892<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">La Zampa is subsidized by the Direction R\u00e9gionale des Affaires Culturelles Occitanie \/ Pyr\u00e9n\u00e9es-M\u00e9diterran\u00e9e as part of its &#8220;Aide aux compagnies conventionn\u00e9es&#8221; program, by the R\u00e9gion Occitanie \/ Pyr\u00e9n\u00e9es-M\u00e9diterran\u00e9e and by the D\u00e9partement du Gard.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(adjective born somewhere between the stars and barbarism) It all begins with a color that remained silent for a long time: Blue. There was no value or symbol associated with it. It only entered the social arena in the 12th century. Within a rectangular space, itself surrounded by an unfathomable black, Bleu presents a variation [&hellip;]<\/p>\n","protected":false},"featured_media":375,"menu_order":0,"template":"","anne_project_cat":[3],"class_list":["post-456","anne_project","type-anne_project","status-publish","has-post-thumbnail","hentry","anne_project_cat-artiste-choregraphique","en-US"],"_links":{"self":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project\/456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project"}],"about":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/types\/anne_project"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/media\/375"}],"wp:attachment":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/media?parent=456"}],"wp:term":[{"taxonomy":"anne_project_cat","embeddable":true,"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project_cat?post=456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}