{"id":457,"date":"2026-03-05T16:49:35","date_gmt":"2026-03-05T16:49:35","guid":{"rendered":"https:\/\/www.annavanneau.com\/work\/autre\/la-belle-humeur-en\/"},"modified":"2026-03-12T21:22:00","modified_gmt":"2026-03-12T21:22:00","slug":"la-belle-humeur","status":"publish","type":"anne_project","link":"https:\/\/www.annavanneau.com\/en\/work\/artiste-choregraphique\/la-belle-humeur\/","title":{"rendered":"La Belle Humeur"},"content":{"rendered":"
\n

The night’s side is unfortunate: obscenus, they’ll say – Jean-Toussaint Desanti<\/h3>\n<\/blockquote>\n

That which repels sight and yet shows itself, that which must remain secret and yet expresses itself. Does night really operate on us, or do we perceive in it that blinding part of ourselves? Does it absorb us, or do we see in it the possibility of spreading out? Is it obscene? Does it denote the unity of concealment and unveiling? Or are we, rather, that black spot that worries the gaze? We are night. We are that vibration, that murky zone. We are that imperious desire that it never stop. We are that body impatient for action, that quantity of force whose charge we sense. That nocturnal space of the “imageless”.
\nWe are what makes night in a world numbed by light. We are this massive body, this labile body, this wild body. We are this tense space, which we pierce to see inside. We are this shadow that throws itself at our feet. We are the matter that stretches, always seeking to include further. We are what stretches, opens.
\nNeither quite dead, nor quite alive, we are dismantling and recomposing. We are an invitation, a summons to “laissez-faire”. We are that which finally collapses. We are that which meditates, offends and drives the gaze elsewhere. An indiscreet abundance, neither banal nor reassuring. We are refuge, rest, rocking.
\nWe are resonance, and its multiple modes of existence. We are silence, breathing. We are echo, crackling, shaking. We are what deforms, distends, disjoins. We are everything that appears anew. We are the end, and what it completes is incompletion itself. We are this movement.<\/p>\n

Credits
\n<\/strong>Choreography: Magali Milian, Romuald Luydlin
\n<\/span>Assistant: Laurie Bellanca
\n<\/span>With : Alice Bachy, Romuald Luydlin, Magali Milian, Camilo Sarasa Molina, Anna Vanneau
\n<\/span>Set design: Magali Milian, Romuald Luydlin, Denis Rateau and Antoine Desnos
\n<\/span>Music: Jean-Fran\u00e7ois Laporte
\n<\/span>Outside ear: Marc Sens
\n<\/span>Costumes: Lucie Patarozzi
\n<\/span>Lighting: Denis Rateau
\n<\/span>Sound manager: Val\u00e9rie Leroux
\n<\/span>Dramaturgy: Marie Reverdy<\/p>\n

<\/span>Production
\n<\/b>Producer: La Zampa in coproduction with Productions Totem Contemporain Montr\u00e9al
\n<\/span>Coproducers : L’Empreinte Sc\u00e8ne Nationale Brive – Tulle, La Maison CDCN Uz\u00e8s Gard Occitanie, L’Usine CNAREP Tournefeuille Toulouse M\u00e9tropole, Th\u00e9\u00e2tre Moli\u00e8re-S\u00e8te sc\u00e8ne nationale archipel de Thau, La Sc\u00e8ne Nationale du Sud-Aquitain – Bayonne, La Place de la Danse CDCN Toulouse-Occitanie
\n<\/span>With the support of the town of La Grand Combe and the Maison du mineur
\n<\/span>Residency assistance : L’Usine CNAREP Tournefeuille Toulouse M\u00e9tropole, La place de la Danse CDCN Toulouse-Occitanie, HYBRIDE #3 cooperation project L’Usine \/ Japan \/ Villa Kujoyama, Ch\u00e2teauvallon – Le Libert\u00e9 Sc\u00e8ne nationale Toulon Provence M\u00e9diterran\u00e9e, La Maison CDCN – Uz\u00e8s studio mobile, L’Archipel sc\u00e8ne nationale de Perpignan, La Sc\u00e8ne Nationale du Sud-Aquitain – Bayonne, Montpellier Danse<\/span>Thanks to Yuko Mori and Kosei Sakamoto – Cie Monochrome Circus (Kyoto\/Japan) <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The night’s side is unfortunate: obscenus, they’ll say – Jean-Toussaint Desanti That which repels sight and yet shows itself, that which must remain secret and yet expresses itself. Does night really operate on us, or do we perceive in it that blinding part of ourselves? Does it absorb us, or do we see in it […]<\/p>\n","protected":false},"featured_media":377,"menu_order":0,"template":"","anne_project_cat":[3],"class_list":["post-457","anne_project","type-anne_project","status-publish","has-post-thumbnail","hentry","anne_project_cat-artiste-choregraphique","en-US"],"_links":{"self":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project"}],"about":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/types\/anne_project"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/media\/377"}],"wp:attachment":[{"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"anne_project_cat","embeddable":true,"href":"https:\/\/www.annavanneau.com\/wp-json\/wp\/v2\/anne_project_cat?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}